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In the broader world of art, there are certain movements that are helplessly “of a period”. For example, someone with a verbose hairstyle wearing clothes that emphasize neon colors and black-and-white checkered patterns will more often than not be thought of as partaking in a revival of ‘80s fashion. This iconic teal and purple design has been gracing the sides of paper cups since the 1990s, as designer Khoi Vinh explains on his blog Subtraction.com. And since its introduction, it has been bulding a steady team of fans. Today, the pattern shows up on cars, t-shirts and pillow cases of enthusiasts. From paper cups to pop culture — the surprisingly dramatic story of the 90s jazz design.
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If I made an attempt to make an objective claim about this, I would surely fail. Yet I still feel it would be useful to say a little something about why I think this is the case. The Jazz design was created in 1991 by an artist in the Springfield, Missouri Art Department at Sweetheart. Sweetheart had an internal contest to come up with a new stock design and Gina’s Jazz Design was selected. Full blown production across multiple products did not start until early 1992. To this day, Ekiss keeps a few Jazz-adorned objects around and still sees them when she’s out and about.
New Tiana Disney Visa Design Arrives to 'Jazz Up' Your Wallet - WDW News Today
New Tiana Disney Visa Design Arrives to 'Jazz Up' Your Wallet.
Posted: Sun, 25 Jun 2023 07:00:00 GMT [source]
Stylecraft Gamma+
” upon seeing many faces of music history involved in the making of this special album. Some notable attendees were Joe Williams, Ruth Brown, Bobby Short, Peggy Lee, Shirley Horn, Jon Hendricks, Diana Krall, Dianne Reeves, among others. Carmen was chosen to sing “Key Largo” for this Grammy Award-winning album. Her performance on “The Benny Carter Songbook” marked Carmen’s fourth studio collaboration reaffirming her stardom.
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He eventually found a tweet from a person claiming to be the creator's daughter, according to his article. After looking through public records and coming across Ekiss' name and address, Gounley drove to her house and confirmed his suspicions. With the Roaring 2020s upon us, we are naturally looking back centennially to reflect on the differences and similarities between then and now.
It was not the Tumblr or Instagram curator or digital artist, nor their retro-worshipping online aesthetic subcultures, that claimed the Jazz design as their own through reproduction. More fittingly, it was Sweetheart, later followed by twenty-first century manufacturers of consumer goods, looking to cash in on its cultural significance, presenting the real threat to the design’s integrity. Perhaps you recall the “Jazz” Sweetheart (now Solo) cup design from childhood or adolescence, with its distinctive yet understated turquoise and purple brushstrokes. Or perhaps you have seen it featured on one of countless “Only 90’s Kids Will Remember…” Buzzfeed listicles. You may have encountered it in memes, on clothing, or referenced in art. Regardless of personal connection or lack thereof, its resurgence in popular visual culture within the past ten years has solidified the graphic as an era-defining icon.
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A volume and tone knob for each pickup allows you to craft your tone perfectly to suit the sound you need at any given time. When the company announced a cup design contest, she looked to an image she’d created in college and remade it digitally, scanning charcoal strokes made on vellum. The design's playful 1980's colors were a departure from the company's previous stock designs, which were much more serious.
America's Jazz and Blues Station
While this connection seemed clear to me, my designer friends emphasized that Modern American jazz album cover design also incorporated elements from outside the Swiss tradition. Generally speaking, European designers followed relatively strict guidelines laid out by the pioneers of the Continental movements (I will name several of these pioneers later). American designers, on the other hand, were more willing to diverge from these manifestos found in popular graphic design literature of the day. Here in the states, designers of the ’40’s, ’50s, and beyond were more likely to continue incorporating serif fonts, handwritten cursive, and illustrations in their work. They were also more likely to modify otherwise ideal design elements in order to give them a more human feel, and all of these deviations show up frequently in classic jazz album art alongside the hallmarks of Swiss Style. That record label is Blue Note, and their album covers are so iconic, they’ve been the point of inspiration for graphic designers and musicians for the past 60 years.
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You’ll still want that mellow warmth, but you might want a little more bite and brightness to your tone at times - guitars with a couple of different pickups on board can prove to be incredibly handy in these situations. You might be playing a set that’s predominantly jazz, but with some rocky or even metal parts thrown in too. The Suhr Modern Plus is the perfect tool for guitarists that need to cover the whole spectrum.
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Past awardees have performed with the likes of Esperanza Spalding, Brandee Younger, Christian McBride, Patrice Rushen, late jazz legend Wayne Shorter and more. Her performances span the globe, including renowned venues like the Jazz Gallery and festivals like the Rochester International Jazz Festival. Beyond her music, Yvonne shares her expertise as an educator at the Brooklyn Conservatory of Music, drawing inspiration from her surroundings and daily life for her creative pursuits. The stellar jazz lineup here always reflects the diversity and scholarship of the current scene.
Gina Ekiss designed the Jazz dixie cup - Business Insider
Gina Ekiss designed the Jazz dixie cup.
Posted: Fri, 19 Jun 2015 07:00:00 GMT [source]
Carmen began another chapter in her illustrious career as a solo artist with her critically acclaimed debut album “Finally Yours” (Evidence Records) in 1992. Born in Austin, Texas and raised in Altadena, California, Carmen Bradford grew up with music in her home and in her heart. It was only natural that Carmen would follow in the footsteps of her great family legacy, being the daughter of legendary trumpeter/ composer Bobby Bradford and world renowned vocalist/composer Melba Joyce. Her grandfather Melvin Moore sang with Lucky Millender and Dizzy Gillespie’s Big Band in the 1940’s, and sang with the Ink Spots, making Carmen the third generation of incredible musicians.
Gina Ekiss began working at Sweetheart’s art department in 1987 along with a few dozen other artists. As Ekiss recalls, the company wasn’t thrilled with initial external submissions for a new pattern design, so they turned to their own in-house creatives. Today, the very 1990s-style teal-and-purple Jazz design can be found on t-shirts, sandals, bumper stickers and other fan-made merchandise. Originally, though, it was applied by the Sweetheart Cup Company to a series of plates, bowls and cups. Sweetheart has since been acquired by Solo, which in turn was acquired by the Dart Container Corporation, adding layers of complexity to the search for the pattern’s origins.
She has carved out a place in music history for herself and is playing an integral role in this uniquely American art form called jazz. Since 1960, the Fender Jazz bass (originally called Deluxe) has featured a tapered neck, contoured offset body, and twin single coil pickups. The Fender Jazz basses are perfect for musicians who need to cut through a busy mix with more midrange, want a more versatile sound, or plan to add effects such as fuzz or chorus. It’s usually the jazz, not the supper, that brings folks to this intimate club in Hollywood.
Ciara Moser, originally from Dublin but raised in Austria, currently calls Boston her home base. As a blind bassist of Austrian-Irish descent, she showcases her versatility across various musical styles and genres, seamlessly blending into band, orchestra, film, and ensemble projects, both in live performances and studio sessions. She earned her Master’s in Jazz Performance from the Berklee College of Music under the guidance of esteemed mentors like John Patitucci, Danilo Perez, Terri Lyne Carrington, and Victor Wooten.
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